Can We Create Brain Cells - 1909 Words

The question was asked ‘Is It Possible to Create an Artificial Brain’. A literature review of the following was done to explain this question. During this section I will revise and discuss this research to see if my question can be answered. Can we create brain cells? To be able to answer my question we must overcome the many barriers that stand in the way of it. One of these barriers being recreating human brain cells. In the literature review I wrote about the two types of brain cells that are found in the brain; neurons and glial cells. I then continued to write about the two different approaches to recreating these cells. Firstly I introduced the Astons university study where a group of researchers were able to isolate and†¦show more content†¦Some disagree with this argument by saying that the embryo has no moral status as it is not fully a human being and so they believe no human life is destroyed in the embryonic stem cell extraction process. In my opinion I believe that they early embryo has no moral status and that it is a researcher s duty to save or better the quality of human life by using these stem cells. I feel it is a moral obligation to treat and relieve people who are suffering of their pain. If we do not use stem cells we are delaying our journey to treating neurological diseases and going further to creating an artificial brain. There will always be a cost but we should accept it and continue working in a carefully regulated context because we know the benefits and how it can positively affect thousands of people s lives. I also wrote about how the scientists at Karolinska Institutet had managed to build a fully functional neuron. This study aims to recreate brain cells in artificial ways unlike the study I have just discussed. The issues with this study are mostly focused on the size of the device they have created. Their artificial neuron is currently far too large to be able to implant into the human body. For this to work and be accessible to the public the scientists are going to have to miniaturise the device. The next issue will be making the device wireless so the person implanted

The Hippie Subculture Essay - 1440 Words

The Hippie Movement: The Philosophy behind the Counterculture The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning†¦show more content†¦They chose to rub against the grain of society, not with it. The very clothes they wore were a testament to their individuality. From bell bottom pants, halter tops, tie-dye prints, all the way to their preferred style of long, straight hair or picked out afros, the hippies were a nything socially undignified (West, 2008). They listened to the sounds of Janis Joplin, Jefferson Airplane, Jimi Hendrix, and the Grateful Dead while experimenting with recreational drugs, most specifically marijuana, psychedelic mushrooms and LSD. In a time where adults were going to work, church, and attempting to stay a virgin until marriage, the hippies were anything but conservative and society rejected them for that. They enjoyed living a life of deviance and being unconventional and were happy living outside of the mainstream (West, 2008). Their way of life can be best described by the labeling theory, the idea that deviance and conformity result not so much from what people do as from how others respond to those actions (Macionis, 2008). Conforming was bad and diversity and difference was to be celebrated. Authority was bad and it was popular to ridicule anyone no matter what their position in life. Anything regarded as a â€Å"social grace† was tossed and therefore t heir society was looked down upon. The social movement of the hippies can be explained as part of the new social movement’s theory,Show MoreRelatedThe Hippie Subculture of the 1960s Essay1356 Words   |  6 PagesThere was a major turning point on the idealistic life in the sixties its effect tarnished many families.  ¶ The corner of Haight and Ashbury marks the spot of where the hippie subculture began. â€Å" Initially it was a youth movement that started during the early 1960’s and spread all over the world† (Stone, Skip). The word hippie derives from â€Å"hipster which is someone who rejects the established culture† (Web Dictionary). Hippies rejected and established institutions, criticized middle-class valuesRead MoreThe Punk Subculture And The Hippie Counter Culture813 Words   |  4 PagesSubculture is just a smaller culture within a much broader and mainstream or dominant culture and is used to study cultures. It basically explains how some groups behave towards society or other subgroups. The punk subculture is a counter culture and has a sundry selection of ideologies, music, and fashion. In the late 1960s is roughly when punks came about. They are more centered on their style of music called punk rock which is a more aggressive and fast-paced style of rock and rol l. This musicRead MoreEssay The Hippie Movement of 1960s America1422 Words   |  6 Pagesconvictions. The American hippie movement of the 1960s was strengthened by the drastic increase of the youth population because of the the baby boomers, a longer adolescent period due to the improved economy, and the use of media and communications, such as TVs and radical college newspapers. There were two reactions to the hippie movement: the first, an angry uproar across the fifty states from the elder upper classes, and second, an inspiration for a few to try the hippie ways themselves. â€Å"A few†Read MoreHow Was Sgt? Peppers Lonely Hearts Club Band By The Beatles1025 Words   |  5 Pagesreleased and the album that would change the way people looked at them as a band and as music as a whole. ‘ Sgt. Peppers Lonely Hearts Club Band was The Beatles eighth studio album and took them 5 months to complete. At the time of the release, hippie culture was prevailing and this year is widely remembered as the summer of love. Long hair, recreational drug use, and psychedelic rock music come to mind when quizzed on stereotypes of the decade, but was it all flowers and peace – or did the ‘SummerRead MoreThe Buddha Of Suburbia By Hanif Kureishi951 Words   |  4 Pageslittle closer at the punk movement it is easy to see that there is more to it than just loud music and unconventional clothing, and that sometimes the most punk person does not display the traditional punk characteristics at all. Punk subculture evolved from the hippie movement during the 1960s. Both movements share certain aspects such as drug use, expression through music and dress, open sexuality, and the desire for societal reform. However, where most hippies were pacifists who desired peace andRead MoreThe Hippie Movement of the 1960s Essay example646 Words   |  3 PagesThe hippie subculture was originally a youth movement beginning in the United States around the early 1960s and consisted of a group of people who opposed political and social orthodoxy, choosing an ideology that favored peace, love, and personal freedom. The hippies rejected established institutions, criticized middle class values, opposed nuclear weapons and the Vietnam War, were usually eco-friendly and vegetarians, and promoted the use of psychedelic drugs. They created their own communitiesRead MoreCarnatic Music888 Words   |  4 PagesIntroduction 1. The hippie subculture was originally a youth movement that arose in the United States during the mid-1960s and spread to other countries around the world. 2. The word hippie came from hipster, and was initially used to describe beatniks who had moved into New York Citys Greenwich Village and San Franciscos Haight-Ashbury district. 3. The origins of the terms hip and hep are uncertain, though by the 1940s both had become part of African American jive slang and meant sophisticated;Read MoreThe Hippie Culture And Style2286 Words   |  10 PagesIn this essay I will be discussing the ‘hippie’ culture and style, their impact on the 60s and their continued impact in modern life. In today s world, hippies are known because of the distinct way in which they behave, dress and their overall lifestyles. There are also some who have come to believe that hippies are synonymous with drugs or that they have radical political views on environmentalism, capitalism, religion e.t.c. The dictionary defines a hippie as one who doesn’t conform to society’sRead MoreSociology Forrest Gump Essay809 Words   |  4 Pagessocial norms, but it seemed to work to his advantage. Jenny Curran, a complete contrast to the character of Forrest Gump, is the love of Forrest’s life. Jenny leads a rebellious, independent life of a hippie and drug addict. The counterculture of the 1960’s could be described Elliott 4 as a subculture which rejected the conventional social norms of the 1950s.Hippies differentiated themselves from the larger culture from which they belonged. These counterculture youth rejected the cultural standardsRead MoreContrasting the Contemporary Hipster with the Classical Hippie1899 Words   |  8 Pagesof trendsetters. This esteemed title however has been recently craved by so many, it has incubated the newest and most recent trend in subcultures across the globe: Hipsters. What’s curious about it, however, is that unlike massive and contagious movements in history (as with hippies), Hipsters are characterized by their unrevealed sense of identity to the subculture that surrounds him/her. Hippies on the other hand, although with similar characteristics, physical traits and beliefs, stand parallel

The Women of the Aeneid Free Essays

The Roman epic of Virgil’s Aeneid describes the hardship and misadventures of Aeneas and the Trojans quest from Troy to Italy. Like Homer’s famous epics, the Iliad and Odyssey, Virgil’s narrative style and structure portrays similar attributes in the finding of Rome. Aeneas encounters several women on his journey who play a significant role throughout this epic in assisting or destroying his journey to Rome. We will write a custom essay sample on The Women of the Aeneid or any similar topic only for you Order Now His representation of female characters provides the readers with a better understanding of gender politics and reasons why some female leaders failed. Each of Virgil’s female characters demonstrates a combination of traits throughout the epic; however, such behaviors of these women tend to develop unwanted conflict due to emotions. Like in every great story the female characters tend to have a enormous influence on the main character in both positive and negative ways. The first female that Virgil introduces is Dido, the queen of Carthage, in Book I of the Aeneid. Virgil provides evidence that Dido is a strong and powerful leader. â€Å"In her stride she seems the tallest, taller by a head than any At the door†¦ Of the goddess’ shrine, under the temple dome, All hedged about with guards on her high throne, She took her seat. â€Å". This statement illustrates just how supreme and crucial she is. Virgil portrays Dido with a goddess type of image. Not only did she rule Carthage with a strong hold, but she also provided fairness and equality. â€Å"Then she began to give them Judgments and rulings, to apportion work With fairness, or assign some tasks by lot†. This quote certainly demonstrates Dido’s type of rulership. Even though, she is commanding the people of Carthage to do their duties, which provides evidence that she is feared because the people do as she says without questioning her demands; she distributes the work evenly and fair throughout the citizens. Usually people would assume that the men go to the king for help or advice, but ironically, the men of Troy, leaded by Aeneas, were taken to Queen Dido for help. â€Å"When suddenly Aeneas saw approaching, Accompanied by a crowd, Antheus and Sergestus And brave Cloanthus,1 with a few companions†¦ He was astounded, and Achates too Felt thrilled by joy and fear:† I feel as though Aeneas and his men did not know what to expect when they came forward to Queen Dido. They were nervous of what was going to happen. Until Dido laid eyes on Aeneas. In every great epic, love plays a key role in bringing people together but also destroying plenty in its way. Even though Dido is characterized as this powerful leader, she slowly starts to fall as her passion for Aeneas starts to grow. As Aeneas tells his story to all the people, Dido slowly starts falling more and more in love with Aeneas. Throughout this Book you slowly start to see the demise of Queen Dido. â€Å"Towers, half-built, rose no farther; men no longer trained in arms†¦ Projects were broken off, laid over, and the menacing huge walls with cranes unmoving stood against the sky†. Virgil provides images of how Carthage is being affected by the downfall of Queen Dido. Dido is so infatuated with love that she cannot see how she is running Carthage to the ground for the love of Aeneas. The goddess Juno, the queen of gods, saw this as an opportunity to keep Aeneas from reaching Italy. Dido even broke her vow of chastity and surrenders to her desires for Aeneas. â€Å"Dido had no further qualms as to impressions given and set abroad; She thought no longer of a secret love but called it marriage†. This statement demonstrates how she is becoming weak-minded. She is starting to trick her mind into making something that she knows is not moral in her eyes, into something that seems right. Only to find out that she will regret it in the end. When Mercury, the messenger god, reminds Aeneas that his destiny is not in Carthage and that he must leave for Italy immediately, Aeneas is not too excited to leave Dido, but he knows he has to obey. Dido at first was furious and cursed Aeneas, â€Å"Midway at sea you’ll drink your punishment and call and call on Dido’s name!†¦ and when cold death has parted.. you will pay for this! †. As soon as Dido realizes that he is gone forever, her emotions transform from furious to depressed and lost. She decided to make an impulsive decision and goes to the extreme of commits suicide. The title for Book IV tells it all â€Å"The Passion of the Queen,†. Queen Dido was supposedly known for being this powerful, supreme, strong minded leader, but her passion for Aeneas turned her soft. She put her responsibilities before love and did not see that Aeneas did the complete opposite. He loved her but he knew what he had to do. I feel as though her importance in the epic was just a distraction for Aeneas to reach his goal. Book XI, Virgil presents another female character that holds power like Queen Dido. Camilla, the warrior queen of the Volscians, who just joined the Latins to provided assistance in the war with the Trojans. Camilla shows a lot of strong, composed, and leadership like qualities just like Dido in Book I. Vergil’s epic portrays Camilla’s true powers and strength, â€Å"Amid the carnage, like an Amazon, Camilla rode exultant, one breast bared for fighting ease, her quiver at her back, At times she flung slim javelins thick and fast, At times, tireless, caught up her two-edged axe†. Unlike Dido, Camilla is does not seek love or passion, she is aware of what her duties are and acknowledges that she has to complete such duties. Camilla remains powerful because she has no distractions. Before Aeneas came into Dido life, she had full control on Carthage and all her focus was placed on that; therefore, her land thrives under her leadership. However as soon as she encounters Aeneas, she becomes distracted and slowly starts to lose her commanding hand on Carthage. But no one is perfect. Camilla is given this pure and righteous image by Virgil until she also gets distracted. After slaughtering many opponents with her javelin and axes, Camilla’s eyes get caught onto this one Tuscan warrior named Arruns and was left dumbfounded. Camilla Began to track this man, her heart’s desire Either to fit luxurious Trojan gear On a temple door, or else herself to flaunt That golden plunder Blindly, as a huntress, following him†¦ she rode on through a whole scattered squadron, recklessly, in a girl’s love of finery†. As soon as Camilla laid eyes on this stunning man, her whole mindset changed. Arruns notices and takes advantage of the situation and slay s her immediately. Both females were killed by love and lust. Another female that had a huge impact on Virgil’s Aeneid was Juno, the queen of gods. Juno despises the Trojans because of Paris’s judgment against her in a beauty contest. She is also an advocate of Carthage, â€Å"And Juno, we are told, cared more for Carthage Than for any walled city of the earth,† and knows that Aeneas’s descendants are destined to destroy Carthage. â€Å"But she had heard long since That generations born of Trojan blood Would one day overthrow her Tyrian walls, And from that blood a race would come in time†. This causes hatred in Juno towards both Aeneas and the Trojans. Throughout Aeneas’s journey, Juno releases her anger on him to make his quest more of a challenge. Juno was the cause of the storm in the beginning of Book I because she summoned Aeolus, the god of winds, to cause an enormous storm while Aeneas was at sea. Vergil provides example of Juno being a manipulative, grudge holding, evil Goddess. In order to stop Aeneas quest to Italy, Juno uses the love Aeneas has towards Dido to her advantage. Juno came up with a scheme to convince Venus to get Aeneas and Dido alone so they can marry and the Trojans and the Tyrians would inally be at peace, even though that was not her true intention. â€Å"Aeneas and Dido in her misery, plan hunting in the forest†¦ My gift will be a black rain cloud and hail†¦ As Dido and the Trojan captain come to one same cavern†¦ There I shall marry them and call his her, a wedding, this will be†. That plan failed when Jupiter found out of such horrid behavior and sent Mercury, the messenge r god, to remind Aeneas of his true mission. The goal was to keep the idea of him leaving Carthage a secret from Queen Dido, but she eventually finds out. These get Juno even more furious towards Aeneas and his Trojan men, but she does not give up with her plans to halt Aeneas quest. In Book VII, Juno instructs Allecto, one of the Furies, to create a civil war between the Trojans and the Latins. â€Å"You can arm For combat brothers of one soul between them, Twist homes with hatred, bring your whips inside Or firebrands of death. A thousand names Belong to you, a thousand ways of wounding. † This statement demonstrates how badly she wants to end the Trojan empire and see Aeneas fail. The importance of Juno’s role in Virgil’s epic is that she is Aeneas mortal enemy and will do anything to stop him in his path. Not only does she dislike Aeneas but anyone that is from the Trojan descent. Virgil’s representation of female characters provides the readers with a better understanding of gender politics and reasons why some female leaders failed. Each of Virgil’s female characters demonstrates a combination of traits throughout the epic; however, such behaviors of these women tend to develop unwanted conflict due to emotions. Dido was so possessed on the idea of her and Aeneas falling in love, that she did not see how she was burning her city, Carthage to the ground. Camilla, drowned in lust as she laid her eyes on Arrun, causing her to put her guard down and effectively getting killed. Juno is so blinded by hatred towards Aeneas and the Trojans, that she makes it her mission to delay his journey. Virgil demonstrates how a female ruler brings too much emotions with her ruling, while a male ruler can run things smoothly without any distractions. How to cite The Women of the Aeneid, Essay examples

Milton Ernest Rauschenberg Biography Essay Example For Students

Milton Ernest Rauschenberg Biography Essay Born on October 22nd 1925 in the oil-refining city of Port Arthur, Texas neÃÆ' ¨ Milton Ernest Rauschenberg, he later renamed himself Robert after his Grandfather. Rauschenbergs father was one of the many blue coloured workers in the oil refineries whilst his mother worked as a telephone operator. He first studied art during his final years at high school but this was quickly cut short when in 1943 he entered the local University of Texas to study Physics only to be expelled in his first year due to learning difficulties, dyslexia, which was then not recognised and so from there he entered into military service with the navy for one year working in the hospitals as he did not want to kill anyone and here his antiwar feelings only became stronger. He did not enrol into art education again until 1947 when he joined Kansass art school, which took him on a short and unmemorable study period to Paris, because he felt no use there for its time had already been and gone. It was moving back to America and onto the Black Mountain College in North Carolina where Rauschenberg began to come into his own. Studying alongside key Abstract Expressionists such as Willem de Kooning, Robert Motherwell and Franz Kline he began to reject the way that the purely emotional movement worked believing that colours didnt represent emotions but colour. In 1951 Rauschenberg broke away on his own with his first solo show, although that same year he did exhibit alongside 60 other New York Abstract Expressionist artists including Pollock and Kooning and became part of the New York School that was founded. But during the fifties he and his working partner Jasper Johns had the Abstract Expressionists in outrage as Rauschenberg began to fill the surface of his paintings with objects that included stuffed goats and chickens, coca cola bottles and newspapers he began to bring subject matter back into paintings and his work bridged the gap between abstraction and representation. According to Time critic Robert Hughes this pioneering work helped to set free the attitudes that eventually made pop art seem culturally acceptable Rauschenbergs Almanac includes all the beliefs that the artist was firmly about when he reached the sixties. Experimentation; never content with one style Rauschenberg preferred to be forever forging ahead with new mediums and techniques, once a certain technique or method became easy, I would give it up and try something else, says Rauschenberg. He was one of the first artists to experiment with blueprint paper in the early fifties, and then he began to incorporate the everyday found objects and daily media images from the press, he wanted to act in the gap between art and life and found mediums that best did that for him whether it be photographs, he often would have a camera on him and built up an extensive library of images from his travels through life, magazine clippings, junk, found used objects or images from history books. The Dada movement formed during the First World War clearly affected Roberts work; they promoted the use of collage and assemblage, in particular artists such as Kurt Schwitters and Hannah Hoch as well as artists of the movement such as Man Ray being the first to adopt photographic materials for artistic purposes. Dadaists broke down the boundaries between art and everyday life, for they were concerned with provoking the public into reacting to their activities and Rauschenberg too did not want to create enduring masterpieces for an elite but to further a perpetual process of discovery in which everyone could participate It was in 1962 that Rauschenberg picked up the silk screening process and both he and Andy Warhol explored this new technique together. .u1553dcd07d73f8d99cf5a74137738033 , .u1553dcd07d73f8d99cf5a74137738033 .postImageUrl , .u1553dcd07d73f8d99cf5a74137738033 .centered-text-area { min-height: 80px; position: relative; } .u1553dcd07d73f8d99cf5a74137738033 , .u1553dcd07d73f8d99cf5a74137738033:hover , .u1553dcd07d73f8d99cf5a74137738033:visited , .u1553dcd07d73f8d99cf5a74137738033:active { border:0!important; } .u1553dcd07d73f8d99cf5a74137738033 .clearfix:after { content: ""; display: table; clear: both; } .u1553dcd07d73f8d99cf5a74137738033 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1553dcd07d73f8d99cf5a74137738033:active , .u1553dcd07d73f8d99cf5a74137738033:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1553dcd07d73f8d99cf5a74137738033 .centered-text-area { width: 100%; position: relative ; } .u1553dcd07d73f8d99cf5a74137738033 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1553dcd07d73f8d99cf5a74137738033 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1553dcd07d73f8d99cf5a74137738033 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1553dcd07d73f8d99cf5a74137738033:hover .ctaButton { background-color: #34495E!important; } .u1553dcd07d73f8d99cf5a74137738033 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1553dcd07d73f8d99cf5a74137738033 .u1553dcd07d73f8d99cf5a74137738033-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1553dcd07d73f8d99cf5a74137738033:after { content: ""; display: block; clear: both; } READ: Al Capone Biography EssayThe process for Almanac would consist of him enlarging his chosen images onto the photosensitive silk screens, which he would then lay on top of the canvas and force the black viscous inks through using a squeegee. Once this would have dried he would have painted the black, white and grey oil paint strokes on and around the screened images. Almanacs collection of images can be related to its title, the literary meaning of which is; a yearly calendar giving statistical information, such as phases of the moon, tides, anniversaries etc. The boys head in the top left hand corner could represent his son, Christopher, who would have turned twelve that year. Adjacent to that a screened photograph likely to have come from either a newspaper or news magazine, depicts a Lunar Bug that the first American to have orbited earth that year would have used. The New York Skyline, an image often used in Rauschenbergs silkscreen prints would have been taken from his large new studio at 809 Broadway where he had only recently moved to. The oilrigs screen print could have been a photo hed taken on a trip he took that year to his childhood home of Port Arthur in Texas a place he had not been back to since he last mistakenly visited his parents there they had moved on, to Lafayette in Louisiana back in 1945. The seas too could be images from his childhood hometown or alternatively they may be representative of the turning of the tides, which are often included in an almanac. The pair of black hands in the top right hand of the painting may be associated with the many black countries that gained their freedom that year including Jamaica, Tobago and Uganda. At what stage during 1962 he created Almanac I do not know, however the grid that takes up almost a quarter of the painting may be because the year was not yet over with several months left to run, alternatively each box within the grid could represent the days of that year. The plant beside the grid may be nothing more than one he had had in his studio that year and happened the image happened to appear amongst his photograph collection. Further images appear amongst the brush strokes, some of which I guess to be a stone pillar, a flower, an obscure person and a building, whether this is exactly what they are I could not say, however it does not make those images any less important instead it draws the viewer further into the painting forcing them to become involved in its discovery. Rauschenberg did not want the size or placement of an image to determine its importance within the painting, the differentiation and lack of order was to reflect lifes extremely random order that cannot be described as accidental and according to art critic Richard Leslie they seem less about some single thing than part of the continuum of abundance, repetition, and disjunction of daily existence. The silk screening process gave Rauschenberg the freedom to easily alter the scale and composition of his images on the canvas. The visible brush strokes, most likely to have been gleamed from the Abstract Expressionists helps to complete Almanac, bringing the images together with a complimentary contrast of light and dark, Ronald Alley says of Almanac associated imagesà ¢Ã¢â€š ¬Ã‚ ¦are integrated with painterly brushwork. Rauschenbergs choice of limiting himself to mono colours only could relate to the media he took them from being a mono source, alternatively the painting was to be a historical source for viewers and he did not want any image to appear superior through colour, black and white giving the painting a timeless aspect. .uce4ee1b42cce0c8f71da93eaf3810a41 , .uce4ee1b42cce0c8f71da93eaf3810a41 .postImageUrl , .uce4ee1b42cce0c8f71da93eaf3810a41 .centered-text-area { min-height: 80px; position: relative; } .uce4ee1b42cce0c8f71da93eaf3810a41 , .uce4ee1b42cce0c8f71da93eaf3810a41:hover , .uce4ee1b42cce0c8f71da93eaf3810a41:visited , .uce4ee1b42cce0c8f71da93eaf3810a41:active { border:0!important; } .uce4ee1b42cce0c8f71da93eaf3810a41 .clearfix:after { content: ""; display: table; clear: both; } .uce4ee1b42cce0c8f71da93eaf3810a41 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uce4ee1b42cce0c8f71da93eaf3810a41:active , .uce4ee1b42cce0c8f71da93eaf3810a41:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uce4ee1b42cce0c8f71da93eaf3810a41 .centered-text-area { width: 100%; position: relative ; } .uce4ee1b42cce0c8f71da93eaf3810a41 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uce4ee1b42cce0c8f71da93eaf3810a41 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uce4ee1b42cce0c8f71da93eaf3810a41 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uce4ee1b42cce0c8f71da93eaf3810a41:hover .ctaButton { background-color: #34495E!important; } .uce4ee1b42cce0c8f71da93eaf3810a41 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uce4ee1b42cce0c8f71da93eaf3810a41 .uce4ee1b42cce0c8f71da93eaf3810a41-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uce4ee1b42cce0c8f71da93eaf3810a41:after { content: ""; display: block; clear: both; } READ: Norman Rockwell's Paintings EssayOverall Almanac is an array of strong linear images; factory buildings, the New York City skyline, the lunar bug diagram, a mathematical grid combined with the contrasting natural forms; the seascapes, a pair of hands, a pot plant and a flower combined with the free flowing brush strokes of paint that bring the pictures together and yet keep each one individual. The images used would have shaped the erratic happenings of 1962 for both Rauschenberg and other Americans. Most of his work was limited to strictly American material, material that would have been forcing itself everyday into millions of American households, as Rauschenberg quoted they were being bombarded with TV sets and magazines. Almanac is just one glimpse of the Western world during a rapidly technologically changing period, when art forms and their acceptability were being rethought. It is one of the many combines that Rauschenburg created during his and Jasper Johns fantastically influential period on the booming New York art world of the mid 20th Century. Arresting images from the everyday and making a commentary on contemporary society using the very images that helped to create that society